Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Thursday, May 15, 2008

Movin' On Up

This post was submitted by Allison, who watches too much Bravo and is addicted to gmail.


Oprah is the Queen of disseminating information around the Globe. What's that? You wrote a book about constipation? Send those informative pages to Oprah and -- if she likes it -- she will turn your clogged poop into 24k gold.

Of course, it's no surprise that Oprah's recent pick, Eckhart Tolle's "A New Earth" has gotten a nipple hardening reaction from Oprah viewers. At first, this book seems like the quasi philosophical-"how can I get a spiritual sense of being and lose 20lbs"-self help book. But apparently "A New Earth" (as well as Tolle's past writings) is all about being a truly free, emotionally evolved person-about freeing yourself from confining labels and relishing in self awakening. And who, according to Tolle, are some of the most prepared for this spiritual advancement? Homosexuals! Omg!

Apparently, to begin spiritual awakening, you have to have suffered emotional pain and struggled with identity. Through this pain we discover that we are not made up of what we think, what we believe or what we judge. We are then able to separate the mind's judgments from our own identity, and subsequently reconnect with the body and spirit. HOLY MOLY! I can't wait to be "free."

Tolle describes humans as a funnel of emotion, spirit and intellect. Nothing truly defines a person -especially since we evolve everyday of our lives. Societal limitations, like labels, grudges, racism, sexism, capitalism, ruin allllll this healthy funneling and enlightenment (For example, instead of saying "he is gay" one should think "He enjoys having sex with men. And that's just the way it is." ). Gays (of all sexes) are closer to breaking past these limitations because society already forces us to re-identify ourselves. By acting against learned behaviors of society, gay men and women let their body 'funnel' natural emotions, desires, and a true sense of being. This separation of belief and feeling makes us homos much closer to bursting out like a fucking caterpillar with wings. I'm glad Tolle decided to elaborate on the label of homosexuality, since the term is often associated with larger labels of identity-race, gender, religion.

Of course, there is a catch. Although gays may be more prepared to 'move on up to the spiritual-upper east-side,' we are also just as vulnerable to find comfort in the gay, lesbian, bi, transgender identities; to fall back into different conformities and limitations. Doing this makes us live a clouded life, devoid of true happiness; we might as well crawl into a big gay rainbow hole and lay in the fetal position.

Well, I guess, Thank you Tolle for elaborating on such logic. But am I supposed to just chill out until my "spiritually inferior" peers catch up to this way of thinking? Freeing myself from labels does feel empowering, but then again, the Oprah show is making "A New Earth" seem like a glorified self help seminar. Is the journey to enlightenment inherently...selfish?

Damn, I have a migraine.


Things I plan to do to become a more spiritual being:

1. Watch less Bravo TV

2. Get over lingering grudge from 8th grade (Chris Myers said my thighs were "bulgy")

3. Not check g-mail more than 49 times a day

4. Look at myself only in window reflections, not actual mirrors

5. Volunteer more than twice a year.


............Well, it's a start.

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Monday, May 12, 2008

Madder Love

This post was contributed by local author, blogger and music reviewer, Craig Laurance Gidney.

The surrealist movement has had a profound effect on my own writing. Liberating the subconscious and the idea of imagination as a revolutionary are all tenets in the surrealist manifesto I am simpatico with. It is a known fact that founder Andre Breton was homophobic and sexist; in spite of this, the female surrealists are, in my opinion, the best visual and literary artists the movement spawned. In addition to the well-known practitioners, like Dali and Magritte, the movement spawned lesser known, edgier artists—like the cryptic paintings of Leonora Carrington and Remedios Varo, and the metaphysical works of bisexual writer/revolutionary René Crevel. The movement also influenced Frida Kahlo and the recently deceased Negritude poet Aime Cesaire.

When the call of submission to an anthology, Madder Love: Queer Men in the Precincts of Surrealism, ed. Peter Dubé (Rebel Satori Press) was announced, I jumped at the opportunity. It's an honor to be in a book alongside such long-admired authors like Stephen Beachy and Kevin Killian. Here is an excerpt of my own piece, "The Magus Club," which is influenced by Lautreamont and queer playwright Joe Orton:

Strange cities sprouted on the rotting ground of the Corpse. Structures of bone and gristle, cemented by blood and bile, where tame lice hooked up to rickshaws patrolled narrow streets. These cities, lit by energy powered from the dying brain waves and rigor mortis, were dangerous places. They were glorified slums for criminals, ruled by cults and tyrants. Brothels full of succubae and catamites festered like infections in their alleys.

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Monday, April 28, 2008

Spaceman Blues, by Brian Francis Slattery

Craig Laurance Gidney is a native Washingtonian who blogs and publishes the occasional piece of fiction.

This charming mashup novel mixes tropes like a sample-happy DJ. One minute it's a mystery novel; the next, a science fiction thriller; a book of conspiracy theories; a post 9-11 gay love story and a sardonic guide through New York City's underground subcultures. Spaceman Blues starts with the sudden, violent disappearance of party-boy Manuel Rodrigo de Guzman Gonzalez, who has his finger in a number of nefarious activities. His lover Wendell goes searching for him, in a wild plot that leads him to cockfight rings and underground cities. In the process, Wendell uncovers a kooky intrigue that involves an invasion and a cult, the Church of Panic.

Wendell eventually transforms himself into Captain Spaceman, a hero of the upper and lower cities. If the plot sounds crazy and meandering, it also isn't really the point. Slattery's novel is a love song to New York City, its teeming immigrant neighborhoods, hipster bars and various subcultures. It 's also a love song to the music of language—strains of Afropop, mariachi, hip hop and funk cascade through the verbal dance floor of the punchy, present-tense prose. Folks missing the manic surrealism of the late Vonnegut will probably enjoy this debut.

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Monday, April 21, 2008

Book Review: Samuel R. Delany's "Dark Reflections."

This post was submitted by Craig Laurance Gidney, a native Washingtonian who blogs and publishes the occasional piece of fiction.

Samuel R. Delany (pictured) is an iconoclastic man of letters who, along with Philip K. Dick and Ursula K. LeGuin, has managed to earn speculative fiction a place at the table with literary fiction. He is a widely admired writer, one who is lauded by both science fiction fan boys, queer theorists and authors such as Michael Cunningham and the recent Pulitzer Prize winner Junot Diaz. (Cunningham's foray into speculative fiction, "Specimen Days," was partly influenced by Delany; and you can't get Diaz to shut up about the author!)

When Delany burst on the scene on the 1960s, he was the vanguard of Science Fiction 'New Wave' movement, and blasted a hole in the mostly white, male firmament of Science Fiction, fearlessly and controversially introducing themes of race and sexuality into the field. His early SF novels were decidedly literary, with poets and bohemians taking center stage, rather than the usual muscle-bound heroes and pontificating scientists. By the 70's, Delany was creating vibrant, experimental fiction as much influenced with French theorists as it was by social extrapolation. His short fiction described alternative sexualities, and his stream of conscious style stood up in a field crowded with pedestrian prose; he began to get the notice of the mainstream.

His 1975 novel Dhalgren, following an amnesiac poet in a time-shifting apocalyptic city, uneasily straddled the line between postmodern fiction and science fiction and was controversial for its exploration of sadomasochism and bisexuality. In the '80s, Delany used the tropes of the 'low' fantasy swords and sorcery genre to explore the development of culture, language, gender, and eventually, the AIDS epidemic. Other works include cerebral queer erotica, a couple of memoirs, and transgressive fiction that makes similar work by Dennis Cooper seem tame, along with a large body of nonfiction works of critical theory.

Delany has moved away from overt speculative fiction, writing historical and autobiographical fiction, and his latest novel, "Dark Reflections," belongs in that part of his oeuvre. The novel examines three episodes in the life of Arnold Hawley, an African American gay poet who lives in the East Village. The first section, 'The Prize' follows the aging Hawley when he wins a prestigious prize for his poetry. The fear of aging as a gay man, the marginalization of creative people and the politics of the literary world run through this section. 'Vashti In the Dark' explores Arnold's marriage to psychotic girl in the 1970's, before he comes to terms with his sexuality. This is the most active part of the novel, not full of self reflection. And 'The Book of Pictures' describes his first experience with a man during his college days, which affects both his creative and personal life.

"Dark Reflections" is a sad novel, an intense character sketch. Hawley is a likable character who never really comes to terms with sexuality, in spite of being around during the beginning of the gay liberation movement. Subtle racism plagues his literary career and he has a naiveté that stymies his reason. Sexual repression, the plight of the artist and East Village living are major strands throughout the book. Part of the joy of the novel is the way it mirrors Delany's own. Like Arnold, Delany married a young woman—but his relationship with his ex-wife was strong. Arnold never warms to the sexual experience, and his attempt at bathroom cruising ends up disastrously—a stark contrast to Delany's own sex life, chronicled in the memoir, "The Motion of Light In Water." In a way, it's a kind of parallel world memoir—of a young, hyper-literate gay African American who took a different path than the author. The prose, is as usual, quirky and poetic, a melding of cerebral and erotic and humorous imagery that is Delany's hallmark. Dark Reflections is a great introduction to this groundbreaking author's work.

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Wednesday, April 09, 2008

Two Books and Two Magazines

This post was submitted by Neil Plakcy, a gay mystery novel writer who will be holding a reading at Lambda Rising in May. He shares here a story of two books and two magazines that changed his life.

When I was in the 10th grade at Charles Boehm Senior High in Yardley, Pennsylvania, my English teacher, Mr. Norman Haider, gave our class an assignment that changed my life.

The book he assigned us was A Separate Peace, by John Knowles, about the friendship between two boys at a New England prep school during World War II. The book came at just the right time for me; I was that age, and desperately wanted a friend like that, a soul mate. I didn’t know at the time that I wanted a sexual relationship with another man—it would have been enough to have that close connection to someone else. To compound the impact, the movie version of the book came out that year, with John Heyl as Finny and Parker Stevenson as Gene.

Our assignment, once we’d read the book, which is written from Gene’s point of view, was to rewrite it from Finny’s. We gaped at Mr. Haider open-mouthed. He expected us to write a whole novel? He explained we just had to think about the difference in point of view and write something—as little as a page—which encapsulated our opinion of how the book would change.

I loved that assignment, as much as I loved that book. It showed me that writing was a way to approach the ideas that mattered to me, and that is something I have carried with me for the last thirty-three years.

I found the next piece of reading material that shaped me in the bottom drawer of my father’s bureau. Sometime when I was in high school, my father served on jury duty. I imagine he was bored sitting there, and stopped at a bookstore somewhere for reading material, which he brought home and stashed in that drawer.

I don’t know if he knew I snooped through his bureau and his night table. I tried to be careful, putting everything back just the way I found it. When I discovered this new stash of magazines, I eagerly pawed through them.

There was a Penthouse Forum, filled with letters about intimate sexual details. A copy of Gallery, with explicit photos of men and women having sex. But the most interesting one was a women’s porn magazine called Viva. I’d never seen anything like it. The photo layout featured a soap opera actor, naked, standing ankle deep in the ocean off some deserted beach. The headline read something like, “John Brown going down to the sea without ships.”

I hadn’t read John Masefield by then and didn’t recognize the source of the quote. But those photos electrified me in a way I found thrilling and scary. I was a near-sighted kid, wearing glasses since third grade. When it came time to shower in gym class, I could barely find my way from the locker to the showers and back without my glasses. Other than my father, I had never gotten a good look at a naked man—certainly not such a handsome one, with shoulder-length blonde hair, ripped abs, and a penis that hung out in all its splendor.

If I wasn’t sure how to react to those pictures, my dick sure knew how. It popped straight up, the first time I opened that magazine, and every time thereafter. Whoever that actor was, he gave me a lot of pleasure!

I read the second book that mattered to me a few years later, sometime in the late 1970s. I was at the Lambertville Flea Market with my parents, browsing through a bin of paperbacks with their front covers ripped off. I later learned that bookstores would rip the front covers off, and send them back to the publishers for a refund, then sell the coverless books at a deep discount. It was a way of cheating the publishers. But all I knew then was that there were tons of paperbacks for a dime or a quarter apiece.

I picked up David Kopay’s autobiography and my heart quickened. He was a retired pro football player, and he was gay. And he’d had sex with other football players, and other masculine men. In the time it took me to hand the bookseller my dime, my world view changed. Previously, I’d thought only effeminate men were homosexuals. I didn’t see myself that way, and I wasn’t attracted to guys like that—like Liberace and Paul Lynde and the pair of antique dealers my parents occasionally bought things from, who had a shop on the upper level of the flea market. When I’d whine about how long my parents took in their shop, one would say, “Kid, go play in traffic.”

But if David Kopay was gay, then that stereotype wasn’t totally true. At home, I read the book through, then again. It was like the ground was shaking under my feet.

I didn’t go to the X-rated bookstore on Biscayne Boulevard too often, maybe once every couple of months to pick up a magazine or two. I liked buying the coverless ones they had shrink-wrapped; I didn’t care if they were last month’s or last year’s magazines, as long as the pictures looked appealing and they had a couple of stories I could read.

I was mostly attracted to the fiction, anyway, and I knew which magazines had the best stories. One day about three years ago I picked up a package which had two magazines back-to-back, faced out. When I got it home, though, I discovered there was a third magazine sandwiched in between, one I’d never seen before, called Bear.

It was black and white, printed on cheap paper, but it opened a door to a whole side of the gay experience I never knew existed. Bears are gay men who don’t look like our traditional image: they are often heavy-set and hairy, with bears and mustaches as well. They have their own complicated code of “woofiness”, ranking bears, otters (slimmer, hairy guys like me) and cubs, young guys who are attracted to bears.

They also profess an attitude that is very different, one of acceptance and solidarity. The men they profile in the magazine are usually solid citizens with jobs, hobbies and social lives. They could be anyone you’d meet on the street or at the grocery store.

The photo layouts were a particular revelation to me. Big, fat guys, their bellies protruding out, photographed as if they were fashion models, their weight and their hairiness eroticizing them. Bears were photographed kissing and hugging each other, demonstrating their appeal and sexuality.

I didn’t particularly find them attractive. What did strike me, though, was that there had to be a lot of men out there who liked that look, or else there wouldn’t be a market for the magazine, and its offshoots in calendars, bars, baseball caps and lapel pins. That meant, I was able to intuit, that there were probably guys out there who would find me attractive.

You’d think that wouldn’t be a big step to take, but given the images that surround us in the gay press, it’s reasonable to assume that everyone has the same tastes, with minor modifications, and that in order to be the object of anyone’s desire you had to be handsome, buffed and below a certain age limit. Bears, on the other hand, could be fat, fifty, out of shape, tattooed, pierced or whatever, and someone, somewhere, would find that erotic.

Two books and two magazines that changed my life. And who knows what I’ll read tomorrow.

Reading with Neil Plakcy, Anthony Bidulka & Mark Richard Zubro, Tuesday May 13, Lambda Rising Bookstore, 1625 Connecticut Ave. NW, 202-462-6969

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Tuesday, March 25, 2008

Books: Lost in the City, by Edward P. Jones

Shaw may be the new gayborhood, as TNG has discussed here, here, and elsewhere, but its streets, rowhouses, churches and corner stores have a long history, one mostly inaccessible to us whiteys-come-lately. Ok, we're certainly not all white, and we're definitely not all gay, but most of us are new, and our histories are elsewhere. I've been here 11 years, and I still feel like a shallow-rooted transient. And of Shaw, my playground all this time, I know little more than what I've seen and heard myself. I didn't know until I just consulted Wikipedia that Shaw "grew out of freed slave encampments." Though of course I know that it's lightening up in a hurry: "According to Census records from 1970, 92% of Shaw's residents were black; in 2000, 56% were black. Shaw's notable place in African American history has made the recent influx of affluent professionals particularly controversial."

But D.C.'s "history" problem, our cloudy origins and confused identity, isn't all black and white: it comes from the lack of loving treatment granted by books and movies to other cities...even Baltimore has The Wire. We're stuck here in the shadow of the Capitol, and the political thrillers that generates have nothing to do with us. To the point: I hadn't read anything truly about the people of D.C. until Lost In the City by Pulitzer Prize-winning novelist Edward P. Jones.


The collection is a street-level view of the African American experience in our city all over the latter half of the 20th century. Yes, these are fourteen relentlessly bleak stories. Sometimes I can't tell if I actually like them. But they're all here, on our Battleship-grid of quadrants: 13th, O, 9th, F, 12th, S....Northwest, Northeast, Anacostia, Chevy Chase, Petworth, and mostly, Shaw. And that's kind of awesome. And they're filled with indelible scenes and characters.

As Mr. Jones said in a Q&A with the Washington Post, "I had read James Joyce's Dubliners, and I was quite taken with what he had done with Dublin. So I set out to do the same thing for Washington, D.C. I went away to college and people have a very narrow idea of what Washington is like. They don't know that it's a place of neighborhoods, for example, and I set out to give a better picture of what the city is like--the other city."

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Tuesday, March 18, 2008

Gay Fiction Pride!

A couple months ago, Ben posted "Gay Fiction Shame?" which summarized one author's unflattering opinion of contemporary gay fiction and ended by asking readers if they had any recommendations for homo writing that doesn't blow. Sorry this took me so long, but there are at least a couple books (and one graphic novel) that are worth checking out.

Between graduating from college and starting this blog, I thought it would be fun to take a self guided tour through the gay canon. Its far from comprehensive, and is entirely subjective to my own taste, but each of these books had some kind of effect on me. I can't promise you'll like all (or any) of them, but they'll give you something to think about.

(I'll also admit that these books skew toward the male perspective. Amy, Jenny— feel free to write a response on lesbian fiction that doesn't suck when you have some time. Zami, Passing, The Corrections and Mrs. Dalloway come to mind, but you'd know better than I would.)

Full list in alphabetical order below the fold:


1.Curbside Boys, Robert Kirby: This is actually a graphic novel, but it's thankfully different from the porn/soap opera mix that categorizes so many gay comics. Drew is a nerdy alterna-kid who falls in love with Nathan, his hot, ditzy new roommate. I began reading this book in a gay bookstore in Chicago and actually finished it on the premises. It now occupies a spot of honor in my bathroom, and I've added prunes and fiber to my diet so I have more opportunities to read it. I can relate to Curbside's characters more than any other's on this list, and I think a lot of our readers will too. My fandom is so thorough that I actually asked Kirby to contribute some new strips to TNG. Look for them soon. (2002)

2. Dancer from the Dance, Andrew Holleran: People really love this book, but I don't think all that amazing. It's beautifully written but not all that much happens in the story of Malone, a "boohoo I'm beautiful" gay man who risks it all for love and sex, and Sullivan, the over-the-top old queen who introduces him to gay life in the '70s. "Dancer" could also be called "The Gay Gatsby" for the number of allusions it makes to Fitzgerald's most popular novel, most notably its main character's obsession with recreating a past that is entirely gone. (1978) [Note: It took me a while to realize this, but "Great Gatsby" is pretty damn gay too. Reread Nick Carroway's encounter with the man he meets after Tom breaks Muriel's nose and you'll see him in a whole new light.]

3. Death in Venice, Thomas Mann: The Publishing Triangle put this at the top of their 100 Best Lesbian and Gay Novels list, and with good reason. Gustav Van Aschenbach is an elderly German writer who sees his overly mannered life begin to unravel when he takes a vacation to Italy and falls in love with a beautiful teenage boy. This book says a lot in under 100 pages and includes many references to Greek mythology, which are a sure-fire way to my heart

4. Faggots, Larry Kramer: Fred Lemish turns 40 in three days, and is pulling out all the stops in search of "true love." Problem is, its New York City in the late '70s and, what with everyone fucking everyone else all day and night, who can find love? "Faggots" follows a pantheon of memorably-named characters (Randy Dildough, Dinky Adams, et al) from NYC to Fire Island and gives a pretty in-depth look at gay sexual politics. It's a comedy, but given the AIDS explosion that happened soon after this book was set, it raises a lot of questions about sexual hedonism and gay self-segregation that are still relevant today. And I hate to say it, but the sex scenes are pretty hot. (If that doesn't get you reading, nothing will.) (1978)

5. A Home at the End of the World, Michael Cunningham. The Hours gets more love, but I prefer this one. Jonathan and Bobby are childhood friends (and awkward adolescent experimenters) who reunite in New York in the '80s. Bobby's sad childhood leaves him open to the renewed affections of Jonathan and the more viable advances of Clare, Jonathan's roommate. When Clare becomes pregnant, the three move to upstate New York to try their hand at an unstable, nontraditional household. If you're really lazy there is a great movie version of this book, but its nowhere near as vivid as Cunningham's actual writing. (1990)

6. The Lost Language of Cranes, David Leavitt: Leavitt's "Territory" was one of the first works published in the New Yorker to deal openly and realistically with gay life, (and his " A Place I've Never Been" is a pretty perfect short story too,) but those looking for something more substantial can check out "Cranes." It focuses primarily on three characters: Owen, a married man who has spent every Sunday of his married life at gay movie theaters; Owen's wife Rose, who is beginning to catch on that he has secrets; and their 25 year-old son Philip, whose first serious relationship with a man has given him the courage to come out to them both. (1986)

7. Martin and John, Dale Peck: This book blew me away, and I do not use that term lightly. The first sentence, "This is not the worst thing I remember" sets up one of the most horrifying tableaux I have ever read in a novel and the rest of the book grips just as tightly. The book's actual plot — young man escapes abusive midwestern father, falls in love, lover catches AIDS, they both move back to Kansas— is revealed only in short, italicized sections that alternate with "story within the story" pieces that feature a variety of characters named Martin and John in situations that fill in the gaps. I don't know how to say this without sounding cliche, but this book is unusually beautiful, sad and disturbing. It can take a bit to get into, but is so worth it. (1992)

8. The Penguin Book of Gay Short Stories: This is a great jumping off point, and the reason I got so interested in gay fiction in the first place. Highlights include the aforementioned "A Place I've Never Been" and Sherwood Anderson's "Hands."And anyone who has ever even considered bare-backing with a stranger should read Alan Barnett's "The Times As It Knows Us," a depiction of of AIDS in the '80s that does not make the disease sound minor or treatable. (1995)

9. Troll: A love story, Johana Sinasalo: The most unusual book on this list, and a decent companion piece to "Death in Venice," "Troll" exists in a modern-day Finland where the titular creatures aren't mythical, but rather an elusive endangered species that are being pushed into cities by urban expansion. Gay photographer Angel takes in a troll cub that he finds in the alley behind his apartment building (an illegal act, as trolls are a protected species) and finds that its presence leaves him unable to control his base urges. Angel's story is cut with sections from the perspective of several other main characters, and encyclopedic entries on trolls. I think something was lost in "Troll's" translation from Finnish to English, but you should still read it. And if you read it, please let me know. I would love to talk to someone about what the hell this book is all about. (2004)

So there you have it, a list of books that won't make you embarrassed to be gay. If you think I've left something out, or just want to comment on what I put in, feel free to write a comment, send me an email or leave a flaming paper bag of troll poop at my front door.

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Tuesday, February 19, 2008

Homosexuality Is For The Birds

Just when you thought the controversy was over, those damn gay penguins are mixing things up again.

The Washington Post reported this weekend that Loudoun County, Virginia, recently pulled copies of the gay-penguin book "And Tango Makes Three" from their elementary school's shelves. I guess the true story of two male penguins who form a relationship and adopt an orphaned egg at the Central Park Zoo is just too scary for parents in Loudoun County, who believe that children should be sheltered from the truth, even if it involves cute fuzzy aquatic birds.

How pissed are you? Perhaps we should protest by dressing up in penguin suits and standing in front of Loudoun county elementary schools, hugging and holding hands and/or babies. Or we could just buy copies of this book for any and every pre-pubescent child we know, especially those who live in back-ass-wards Virginia. I know what I'm getting my nephew, who lives in Arlington, for his birthday.

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Thursday, February 14, 2008

What Would You Make The New President Read?

Recently Bill Moyers asked his audience what they would want the next President to read before they took office. The most popular suggestions are after the jump.

I've read five of these (Shock Doctrine/A People's History/Nickel & Dimed/Inconvenient Truth/Animal Farm) and think they are all strong choices.

What would you add? Would it change depending on the candidate? Click here for the video from Bill Moyers Journal.

* Naomi Klein, THE SHOCK DOCTRINE
* Howard Zinn, A PEOPLE'S HISTORY OF THE UNITED STATES
* Kim Michaels, THE ART OF NON-WAR
* Jared Diamond, COLLAPSE
* Chalmers Johnson, BLOWBACK triology
* Tom Paine, COLLECTED WORKS/COMMON SENSE
* Al Gore, ASSAULT ON REASON/AN INCONVENIENT TRUTH
* David Cay Johnston, FREE LUNCH
* George Orwell, 1984/ANIMAL FARM
* Naomi Wolff, THE END OF AMERICA: LETTERS TO A YOUNG PATRIOT
* Greg Mortenson, THREE CUPS OF TEA
* Barbara Ehrenreich, NICKLE AND DIMED
* Barbara Tuchman, MARCH OF FOLLY
* Doris Kearns Goodwin, TEAM OF RIVALS
* David Korten, THE GREAT TURNING
* John Steinbeck, THE GRAPES OF WRATH
* Ayn Rand, ATLAS SHRUGGED
* John Dean, BROKEN GOVERNMENT
* John Perkins, CONFESSIONS OF AN ECONOMIC HITMAN
* James Carroll, HOUSE OF WAR
* Thomas Friedman, THE WORLD IS FLAT
* Lao Tzu, TE TAO CHING
* Tim Weiner, LEGACY OF ASHES
* Dr. Seuss (THE LORAX, HORTON HEARS A WHO, THE PLACES YOU'LL GO, IF I RAN THE ZOO)

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Monday, January 28, 2008

Gay Fiction Shame?

I recently found this article entitled My Gay Fiction Shame, in which the author discusses his boredom/loathing of gay themed fiction.

He caught my attention when he described contemporary gay fiction as "reading about loads of really horrible men stranded bored on a desert island: or, in other words, it was too true to life."

While I find that statement a bit unfair, and I disagree with his assertion that people don't want to read tales that reflect their own lives, I agree with his assesment that "the truth is that most gay men are not the tragic martyrs of coming-out tales, nor the rampant airheads of sex or scene-based tales." While there is certainly a place for stereoptyically gay literature, if I never read another tale that involves HIV/AIDS, coming out, the circuit, or prostitution, I could live with that because 1) my life as a gay man isn't defined by those experiences, and 2) the market is oversaturated with this stuff. Unfortunately, I recognize very little of my actual life in what flushes down the contemporary gay pipeline, whether it be in film or literature.

I disagree with him about the lack of relevancy in our elder generation of gay writers because it's important to know our history and how we came to be here, even if our 21st century identities are evolving with a new gay culture, or as some claim, apart from our sexuality. Andrew Holleran's latest book, enitled "Grief", about an older man's return to DC after the death of his mother, is an interesting meditation on being an older gay man, and it opened my eyes to the DC AIDS epidemic in the 80s, and how it wiped out our city's gay community. While it's yet another AIDS book in sea of them, I don't see how a young DC gay-lit reader would find books like this irrelevant.

I'm curious what our readers think about the assertion that there are no great gay authors in the younger generation. I can think of several who are exceptional, but their subject matter isn't specifically gay, which sort of supports the author's point. One of the commenters on the writer's post even went so far as to say, "could the great gay writers of tomorrow put down their bottles of amyl nitrate, step out of the club, go home, log off from Gaydar and write something good?"

What are your thoughts on gay fiction? Can you recommend any great gay books?

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Friday, November 02, 2007

Hot Book: The Shock Doctrine

Author Naomi Klein released her new book the Shock Doctrine last month. Director Alfonso Cuaron (Children of Men) created this popular 7 minute documentary about the book:



More below the fold...

Here is an interview (audio/text) from Democracy Now.
Her website has this to say:

The Shock Doctrine: The Rise of Disaster Capitalism
In THE SHOCK DOCTRINE, Naomi Klein explodes the myth that the global free market triumphed democratically. Exposing the thinking, the money trail and the puppet strings behind the world-changing crises and wars of the last four decades, The Shock Doctrine is the gripping story of how America’s “free market” policies have come to dominate the world-- through the exploitation of disaster-shocked people and countries.


This book is causing some waves. High profile academics on the left are calling it brilliant and groundbreaking while those on the right are calling her names and trotting out the same old free market arguments that don't stand up to scrutiny. I just recieved a copy of the book. While I haven't finished it yet, thus far I am indeed shocked, and hooked.

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Thursday, October 25, 2007

Hermione? More Like "His"-mione....

That was a terrible pun, but its been almost a week since J.K. Rowling outed Dumbledore and I'm just trying to keep things fresh. I considered some headlines like "Dumbeldore Smokes Pole" and "Harry Potter and the Prisoner of Ass-kaban," but I thought those were worse.

But anyway: J.K. Rowling revealed at a press conference that head wizard Dumbledore was gay and harbored a crush on the powerful dark wizard who used to be his friend. I guess with all of his robes, crystals and unique hairstyles it should not surprise me that Dumbledore is a mo. What does surprise me is how quickly people have found a way to make money off of this fact.

Dumbledore Pride, for instance, has already sold 7,000 shirts.

And its not just the commercial possibilities here that have gotten people's magic wands all tingly. The religious right has already gotten in on the act, claiming that Rowling is playing up to the gay agenda by revealing that such a trusted moral authority in the Potter-verse is a poof.

First satanism, now buggery. Lets hope that there isn't a major earthquake in the next couple days because I'm sure Ms. Rowling will get blamed for that too.

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